Skip to content

Works

a rift, like the breath drawn in, immaculate for clarinet, percussion, harp, violin, and cello (2017) (more)

center unmoored in the presence of infinite fringes for solo prepared bass tuba (2016) (more)

threshold for string trio (2015-16)  (more)

voice-dross displacement for concealed speakers (2014) (more)

not this for bass flute, bass clarinet, alto/baritone saxophone, piano, percussion, mezzo-soprano, violin, viola, cello, and double-bass (2014) (more)

distances swarming and encompassing for solo prepared electric guitar with optional live video projection (2011/14) (more)

engulfed, constrained in a widening gap for flute/piccolo, clarinet, violin, viola, and cello (2013) [also in version for flute/piccolo, soprano saxophone, violin, viola, and cello] (more)

remainder for amplified solo percussion with live video projection (2013) (more)

nor nothing towards obstruction or else erasure yet and for two percussionists (2012) (more)
 
tips of the fingers direct the uncontrollable surface for solo piano (2011/14) (more)
 

futures unmade in the boundlessness of the instant for solo soprano saxophone (2011/rev. 2016) (more)

the indifferent horizon apathetically rests on the ground, devouring everything that looks like something for violin, clarinet in B-flat, and piano (2010) (more)

MAPS OF DISINTEGRATION AND FORGETFULNESS series (2010) (more):

–clinamen for four to eight players

simulacrum for two to five players

morass for four to ten players

mesh for two to four players

must go on…for solo violin (2004-6)

–All works registered with BMI–